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Aaron Douglas (May 26, 1899 – February 2, 1979 [1]) was an American painter, illustrator, and visual arts educator. He was a major figure in the Harlem Renaissance. [2] He developed his art career painting murals and creating illustrations that addressed social issues around race and segregation in the United States by utilizing African-centric imagery. [3]
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
As part of "The Negro in Art Week" (1927), the Art Institute of Chicago presented a Chicago Woman's Club organized exhibit featuring more than 100 artworks from the Blondiau-Theatre Arts Collection of Primitive African Art [35] and examples of modern and contemporary art, including abstraction, portraiture, realism, and ritualism. [36]
In 1921, the library hosted the first exhibition of African-American art in Harlem; it became an annual event. [11] The library became a focal point to the burgeoning Harlem Renaissance . [ 7 ] In 1923, the 135th Street branch was the only branch in New York City employing Negroes as librarians, [ 12 ] and consequently when Regina M. Anderson ...
The exhibition, focused on the Harlem Renaissance and intended as the museum's first show exploring the cultural achievements and contributions of African Americans, was heavily criticized by black audiences for not actually including any art by black artists, instead presenting documentary photographs and murals of the Harlem neighborhood, and ...
Lois Mailou Jones (1905–1998) [1] was an artist and educator.Her work can be found in the collections of the Smithsonian American Art Museum, The Metropolitan Museum of Art, the National Museum of Women in the Arts, the Brooklyn Museum, the Museum of Fine Arts, Boston, Muscarelle Museum of Art, and The Phillips Collection.
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Hold Fast to Dreams: Poems Old and New Selected by Arna Bontemps (Chicago: Follett, 1969) Mr. Kelso’s Lion (Philadelphia: Lippincott, 1970) Free at Last: the Life of Frederick Douglass (New York: Dodd, Mead, 1971; Apollo Editions, 2000) The Harlem Renaissance Remembered: Essays, Edited, With a Memoir (New York: Dodd, Mead, 1972, 1984)