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Some bass amps have a 15 or 20 dB pad which can be used to attenuate "hot" signals, such as basses with an internal preamplifier (depending on the model of amplifier, some brands may provide two inputs (high and low gain) instead of providing a "pad". This pad can be turned on using a button. Some bass amps have an even stronger pad, a 40 dB pad.
Electric bass players often use compression effects, either effects units available in pedal, rackmount units, or built-in devices in bass amps, to even out the sound levels of their basslines. Gain pumping , where a regular amplitude peak (such as a kick drum) causes the rest of the mix to change in volume due to the compressor, is generally ...
The amplifier is known across the audiophile community for its high-output power and low Total harmonic distortion (THD). The AU-11000 has an output power of 110 watts -per- channel , [ 1 ] and was one of the earliest home audio amplifiers to use multiple transistors per channel using a "Push-Pull" method to add more amplification power.
Tone control is a type of equalization used to make specific pitches or frequencies in an audio signal softer or louder. It allows a listener to adjust the tone of the sound produced by an audio system to their liking, for example to compensate for inadequate bass response of loudspeakers or earphones, tonal qualities of the room, or hearing impairment.
Fender Silverface Bassman amp AB165 amplifier, with a 2×15" speaker cabinet. The Fender Bassman is a series of bass amplifiers introduced by Fender during 1952. [citation needed] Initially intended to amplify bass guitars, musicians used the 5B6 Bassman to amplify other instruments, including electric guitars, harmonicas, and pedal steel guitars.
This allows a user, such as an electric bass player, to plug their bass into a DI unit, which routes the bass signal to the mixing board, and at the same time plug the bass into an onstage bass amp for monitoring purposes. Pass-through is also commonly referred to as a bypass. True-bypass occurs when the signal goes straight from the input jack ...
The Ampeg SVT is a bass guitar amplifier designed by Bill Hughes and Roger Cox for Ampeg and introduced in 1969. The SVT is a stand-alone amplifier or "head" as opposed to a "combo" unit comprising amp and speaker(s) in one cabinet, and was capable of 300 watts output at a time when most amplifiers could not exceed 100 watts output, making the SVT an important amp for bands playing music ...
The first models Leslie manufactured were the 900 and 910, [37] which contained a 100 watt, three-channel power amplifier. Both could split into two sections. [38] The most popular version of the Pro-Line series was the 760. It was a smaller version of the 900 and 910, and contained a 40 watt treble and 50 watt bass amplifier. [39]