Search results
Results From The WOW.Com Content Network
Marilyn McLeod (May 27, 1939 – November 24, 2021) was an American songwriter and occasional singer. McLeod began her career as a songwriter for Motown . Together with Pam Sawyer , she wrote the 1976 Diana Ross hit " Love Hangover ".
The Fanatic video includes a cameo of Jeffrey Spry with his first wife, SAG actress, Lucrecia Sarita Russo. The band, which now included Jeffrey on lead vocals, Joe on guitar, Danny Sands on piano/keyboards, Louis Ruiz on bass and Arty Blea on drums, recorded their first full-length album, also called The Fanatic , which was released in 1983 on ...
Pages in category "Songs written by Marilyn McLeod" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. F.
Thank God We Left the Garden received a score of 88 out of 100 on review aggregator Metacritic based on four critics' reviews, indicating "universal acclaim". [4] Mojo called it "reminiscent of early Nathaniel Rateliff and John Moreland, and prime John Prine" and wrote that "there's no reason here to doubt Martin might one day eclipse them all". [5]
My Week with Marilyn: Music from the Motion Picture is the soundtrack to the 2011 drama film My Week with Marilyn released on 8 November 2011 by Sony Classical Records.The album mostly featured the cues from the original score composed by Conrad Pope, except for "Marilyn's Theme" by Alexandre Desplat.
Julia Fordham performed the song in duet with McDonald on her 2008 LP China Blue. In 2011, DJ and producer Solomun sampled the song on ''Love Recycled''. Laura Jane Grace, lead singer, songwriter and guitarist of Against Me!, performed a version of the song in April 2015 for A.V. Undercover series. [3]
Nuclear Furniture is the eighth album by American rock band Jefferson Starship, released in June 1984 through Grunt Records. [1] It was the final album by the band before the departure of leader Paul Kantner and the eventual transition of the remaining members of the group to become Starship.
Stephen Thomas Erlewine of AllMusic wrote that the songs "either seem weighed down by an orchestra... or the strings seem extraneous", summing it up as an "exercise in mawkish nostalgia". [ 2 ] The album topped the Billboard Classical Crossover Albums and Top Classical Albums charts, selling 5,000 copies in its first week.