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This massive score includes a final extended 8-minute orchestral passage based on the title song with an intriguing coda hinting at Gershwin forging a new musical path. Hoctor's Ballet. This piece features glissandos, rapid shifts in key, and the most extensive parts Gershwin wrote for the harp; written by Gershwin specifically for the ...
The first is a Baroque orchestra (i.e., J.S. Bach, Handel, Vivaldi), which generally had a smaller number of performers, and in which one or more chord-playing instruments, the basso continuo group (e.g., harpsichord or pipe organ and assorted bass instruments to perform the bassline), played an important role; the second is a typical classical ...
Piano and orchestra 1892 Mozart: 4 works arr. orchestra as Mozartiana (Suite No. 4) June – August 1887 Mozart Fantasia in C minor, K. 475, piano Vocal quartet (Night) 15 March 1893 Anton Rubinstein: Ivan the Terrible, Op. 79, orchestra Piano duet 18 October – 11 November 1869 Anton Rubinstein Don Quixote, Op. 87, orchestra Piano duet 1870 ...
The Young Person's Guide to the Orchestra, Op. 34, is a 1945 musical composition by Benjamin Britten with a subtitle Variations and Fugue on a Theme of Purcell.It was based on the second movement, "Rondeau", of the Abdelazer suite.
Op. 123, Festival Overture with song on the Rheinweinlied for orchestra and chorus (1853) Op. 124, Albumblätter (Album Leaves) (1832–1845) (includes one piece previously part of WoO 31) Op. 125, 5 heitere Gesänge (1851) Op. 126, Seven Piano Pieces in Fughetta Form (1853) Op. 127, 5 Lieder und Gesänge (1850–51) Op. 128, Julius Caesar ...
Scheherazade, also commonly Sheherazade (Russian: Шехеразада, romanized: Shekherazada, IPA: [ʂɨxʲɪrɐˈzadə]), Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on One Thousand and One Nights (also known as The Arabian Nights).
Since the invention of sound recording, a classical piece or popular song may exist as a recording.If music is composed before being performed, music can be performed from memory (the norm for instrumental soloists in concerto performances and singers in opera shows and art song recitals), by reading written musical notation (the norm in large ensembles, such as orchestras, concert bands and ...
The orchestra of the concertos for one or more accompanied soloists (BWV 1041–1044, 1049–1050 and 1052–1065) consists in most cases of strings (two parts for violins and one viola part) and continuo (for example performed on cello and harpsichord). Such orchestra of the Baroque era can be indicated as string orchestra or chamber orchestra.