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Relic'ing (also written as relicing) is the process of distressing a guitar to mimic the worn appearance and broken-in feel of older, vintage guitars. [1] Relic'ing is done to both new guitars by their manufacturer, typically as "aged" replicas of models from sought-after years, and to used guitars by their owners as a popular DIY project.
Frustrated by people beginning to copy his flair, Van Halen chose to refinish the original black and white Frankenstrat with an additional layer of red paint at the end of March 1979. The guitar was hastily prepped with coarse sandpaper, causing additional damage to the original finish, masked with gaffer's tape, and sprayed with a pearl white ...
In some sense, the Peavey EVH Wolfgang guitar [8] picked up where the Ernie Ball Music Man EVH model left off [9] with the prototype design being made by Peavey Design Engineer/Luthier Jim DeCola [10] (an amber quilted top model which still didn't have the Wolfgang headstock shape, but rather a Peavey classic one). On the second prototype ...
The Spectrum guitar was inspired by a Jackson guitar custom built for Jeff Beck, and was based on a Stratocaster style body but with a reversed pointed headstock, an early 1950s Fender P-Bass-inspired pickguard, wild colors, and an active tone circuit that produced a "wah" effect. The three single-coil pickups were in fact stacked humbucking coils.
These deliberate glazing effects are usually known as "crackle", with crackle[d] glaze or "crackle porcelain" being common terms. It is typically distinguished from crazing , which is accidental craquelure arising as a glaze defect , although in some cases, experts have difficulty in deciding whether milder effects are deliberate or not. [ 10 ]
Image credits: Photoglob Zürich "The product name Kodachrome resurfaced in the 1930s with a three-color chromogenic process, a variant that we still use today," Osterman continues.