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"You Say" is a song by American contemporary Christian music singer and songwriter Lauren Daigle. It is the lead single from her third studio album, Look Up Child . [ 2 ] [ 3 ] Written by Daigle alongside producers Paul Mabury and Jason Ingram, [ 4 ] it was released as a single on July 13, 2018. [ 5 ]
In 2007, Treblezine ranked the song number 50 in their "Top 100 Singles of the '90s". [33] In 2012, Porcys ranked it number two in their list of "100 Singles 1990–1999". [ 39 ] In 2017, Billboard ranked "Lovefool" number four in their list of "The 100 Greatest Pop Songs of 1997", [ 40 ] and in 2023, the magazine ranked it among the "500 Best ...
"Stay (I Missed You)" is a song by American singer-songwriter Lisa Loeb. It was released in May 1994 by RCA and BMG as the lead single from the original movie soundtrack to Reality Bites (1994). The song was written and composed by Loeb herself, while production was handled by Juan Patiño.
"All My Life" by K-Ci & JoJo (1997) "Close to me you're like my father, Close to me you're like my sister, Close to me you're like my brother" Well, OK—that seems weird, but I'm still down with it.
The ’90s were the twilight of music’s analog era. It was a time of unparalleled musical diversity and creativity, buoyed by consumers who saved their allowances and paychecks to buy CDs and ...
As the decade progressed, a growing trend in the music industry was to promote songs to radio without the release of a commercially available singles in an attempt by record companies to boost albums sales. Because such a release was required to chart on the Hot 100, many popular songs that were hits on top 40 radio never made it onto the chart.
In 2007, the song was voted number 90 on VH1's "100 Greatest Songs of the 90s". [20] It was listed number 440 on Blender's list of "The 500 Greatest Songs Since You Were Born". [21] In 2010 it was number 106 on Pitchfork's "Top 200 Tracks of the 90s". [22] In 2011, VH1 ranked it as 11th on "40 Greatest One-Hit Wonders of the 90s".
The sheer catchiness of the song's arrangement got some adventurous radio programmers on board, but it was the say-what-now gender politics of the song's lyrics that proved to be most compelling. Hearing Jyoti Mishra's plaintive tenor croon, I guess what they say is true/I could never be the right kind of girl for you/I could never be your ...