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Vase in a Japanese style, c. 1680, Delft Window display of Delftware in the market place, Delft Delftware or Delft pottery, also known as Delft Blue [1] (Dutch: Delfts blauw) or as delf, [2] is a general term now used for Dutch tin-glazed earthenware, a form of faience.
Athenian white lekythoi: Patterns and painters. Oxford: Clarendon Press. MacDonald, Brian R. 1981. "The emigration of potters from Athens in the late fifth century BC and its effect on the Attic pottery industry". American Journal of Archaeology: 159–68. Mertens, Joan R. 1974. "Attic white-ground cups: A special class of vases".
The composition of the Delos mosaics and pavements include simple pebble constructions, chip-pavement made of white marble, ceramic fragments, and pieces of tesserae. [2] [6] [13] The latter falls into two categories: the simpler, tessellated opus tessellatum using large pieces of tesserae, on average eight by eight millimeters, [14] and the finer opus vermiculatum using pieces of tesserae ...
The millefiori technique involves the production of glass canes or rods, known as murrine, with multicolored patterns which are viewable only from the cut ends of the cane. [2] [9] A murrine rod is heated in a furnace and pulled until thin while still maintaining the cross section's design. It is then cut into beads or discs when cooled. [2] [9]
In some cases, glass paste, glass, and precious and semi-precious stones were used for detail such as eyes, jewellery, and weaponry. Other large acrolithic statues used stone for the flesh parts, and wood for the rest, and marble statues sometimes had stucco hairstyles. Most sculpture was painted (see below), and much wore real jewellery and ...
Sonic Drive-In. Sonic uses the word “cheese” on its menu liberally for items including burgers, chili dogs, tots, and fries, but most of it is more cheese-adjacent, if you will.
Apollo and Heracles struggle for the Delphic tripod; side A from an Attic red-figure stamnos, c. 480 BC.Louvre. A sacrificial tripod, whose name comes from the Greek meaning "three-footed", is a three-legged piece of religious furniture used in offerings and other ritual procedures.
As bar tracery opened the way for more complex patterns, masons started applying those same patterns to other surfaces as well as the actual window openings. When used on an otherwise solid walls, such motifs are known as blind tracery, a decorative effect first applied on the west facade of the church of St Nicaise at Reims (1230s).