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Felix Mendelssohn's "Wedding March" in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches , generally being played on a church pipe organ .
The "Bridal Chorus" (German: "Treulich geführt") from the 1850 opera Lohengrin by German composer Richard Wagner, who also wrote the libretto, is a march played for the bride's entrance at many formal weddings throughout the Western world.
There is a brief fanfare for trumpets and timpani, a parody of a funeral march, and a Bergamask dance. The dance uses Bottom's braying from the overture as its main thematic material. The play has three brief epilogues. The first is introduced with a reprise of the theme of the "Wedding March" and the fairy music of the overture.
The "Wedding March", from Felix Mendelssohn's incidental works (Op. 61), used as wedding recessional music Wedding Song, orchestral work by Elisabetta Brusa Hochzeits-Lied (Wedding Song), by Kurt Weil from The Threepenny Opera
Music can be used to announce the arrival of the participants of the wedding (such as a bride's processional), and in many western cultures, this takes the form of a wedding march. For more than a century, the Bridal Chorus from Wagner's Lohengrin (1850), often called "Here Comes The Bride", has been the most popular processional, and is ...
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