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The Arri Alexa is a digital motion picture camera system developed by Arri. The Arri Alexa was introduced in April 2010 and was Arri's first major transition into digital cinematography, after previous efforts including the Arriflex D-20 and D-21. Alexa cameras are designed to be used in feature films, television shows and commercials. Alexa ...
Arri Group (/ ˈ ær i /) (stylized as "ARRI") is a German manufacturer of motion picture film equipment. Based in Munich , the company was founded in 1917. [ 3 ] It produces professional motion picture cameras, lenses, lighting and post-production equipment.
ARRI Alexa LF and Mini LF. Converted to 3D. [62] [82] Dancing Village: The Curse Begins: 11 April 2024: ARRI Alexa LF and Mini LF. [83] Joker: Folie à Deux: 4 October 2024: ARRI Alexa IMAX, ARRI Alexa LF and Sony CineAlta Venice [62] [84] Venom: The Last Dance: 25 October 2024: ARRI Alexa LF and Mini LF. [62] [85] Captain America: Brave New ...
Arri Alexa: 2011 11-11-11: Joseph White Arri Alexa: 2011 The Wholly Family: Nicola Pecorini: Arri Alexa: 2011 Once Upon a Time in Anatolia: Gökhan Tiryaki: Sony CineAlta F35: 2011 Wild Bill: George Richmond Arri Alexa: 2011 This Is 40: Phedon Papamichael: Arri Alexa: 2011 The Girl With the Dragon Tattoo: Jeff Cronenweth: Red One MX, Red Epic ...
Arri: Alexa LF: 36.7 x 25.54 mm 0.98 LPL, ships with Arri PL adapter SXR drive 12-bit ARRIRAW, ProRes 4444 XQ 4448x3096 (ARRIRAW) 160 - 3200 (800 native) 13.5 stops [11] Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV: 23.98-150 Arri: Alexa Mini LF: 36.7 x 25.54 mm 0.98 LPL, ships with Arri PL adapter Codex Compact Drive 12-bit ARRIRAW ...
The production team claims that Uninvited is the first film in the Philippines to be filmed with a pair of custom-built Cooke Optics Anamorphic Full Frame Special Flare lenses fitted in an Arri Alexa 35 digital cinema camera. CMB Film Services procured the equipment with the preferred specifications given by cinematographer Pao Orendain.
IMAX is a proprietary system of high-resolution cameras, film formats, film projectors, and theaters known for having very large screens with a tall aspect ratio (approximately either 1.43:1 or 1.90:1) and steep stadium seating, with the 1.43:1 ratio format being available only in few selected locations.
Independent movie-makers have also pressed low-cost consumer and hybrid prosumer cameras into service for digital cinematography. Though image quality is typically much lower than what can be produced with professional digital cinematography cameras, the technology has steadily improved, most significantly in the last several years with the arrival of high-definition cameras in this market.