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Arri Alexa camera. The Arri Alexa is a digital motion picture camera system developed by Arri. The Arri Alexa was introduced in April 2010 and was Arri's first major transition into digital cinematography, after previous efforts including the Arriflex D-20 and D-21. Alexa cameras are designed to be used in feature films, television shows and ...
Official logo. This is a list of films shot partially or in full with IMAX cameras, either on 15/70 film, with the Phantom 65 IMAX 3D, with the ARRI Alexa IMAX, with other IMAX-certified digital cameras or IMAX Live Events shot with IMAX-certified cameras.
Arri: Alexa LF: 36.7 x 25.54 mm 0.98 LPL, ships with Arri PL adapter SXR drive 12-bit ARRIRAW, ProRes 4444 XQ 4448x3096 (ARRIRAW) 160 - 3200 (800 native) 13.5 stops [11] Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV: 23.98-150 Arri: Alexa Mini LF: 36.7 x 25.54 mm 0.98 LPL, ships with Arri PL adapter Codex Compact Drive 12-bit ARRIRAW ...
The Arri Alexa 65, released in 2014, was used in the filming of The Revenant as well as Mission: Impossible – Rogue Nation and Star Wars: Rogue One. [44] The Arri Amira camera was also released in 2014. [22] In 2015, four of the five nominees for the cinematography category of the Academy Awards were filmed using the Arri Alexa. [45]
First film shot mainly with the Arri Alexa 65: The Revenant (2015) [8] First film shot mainly with digital IMAX cameras: Avengers: Infinity War (2018) and Avengers: Endgame (2019) [ 9 ] First film shot mainly with the Red Weapon Vista Vision and in 8K resolution: Guardians of the Galaxy Vol. 2 (2017) [ 10 ]
By combining the Alexa 65 with Arri Prime DNA lenses, Adams could capture low-light efficiently, control depth of field, and also maintain color contrast and balance. [60] [57] Adams graded El Camino ' s color palette with DaVinci Resolve; he did not let Breaking Bad dictate which colors he used and opted to make a palette specific to the film.
The film was shot with Arri Alexa 65 cameras (the digital equivalent of 65mm film) with the intent of screening it in IMAX theatres. Because of the COVID-19 pandemic , this never occurred.
Elias Talbot cinematographed the music video using Arri Alexa 65 camera for the film. Ranta felt that the amount of information that IMAX cameras take in is unreal, and hence while shooting in castles from the 1100s and larger sequences with huge people the quality is much higher than standard camera.