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On April 12, 1937, the US Supreme Court upheld the constitutionality of the National Labor Relations Act. [2]On May 20, 1937, the Society of Motion Picture Film Editors [2] was founded by I. James Wilkinson (sound editor), Ben Lewis (film editor) and Philip Cahn (film editor), [2] when film editors earned a mere $100 per week.
During the first 15 years of its existence, FEAC addressed primarily issues unique to freelance editors. Over the years, that emphasis gradually changed. In 1994, the association's name was changed to the Editors' Association of Canada/Association canadienne des rédacteurs-réviseurs [8] and in-house editors were invited to join.
According to the 2012 Freelance Industry Report compiled primarily about North America freelancing, nearly half of freelancers do writing work, with 18% of freelancers listing writing as a primary skill, 10% editing/copy-editing, and 10% as copy-writing. 20% of freelancers listed their primary skills as design.
In 2001, CASE published the first edition of the Australian Standards for Editing Practice, which sets out core editing standards, the skills editors require, and what publishers should expect from editors. [8] Also in 2001, CASE developed the first guidelines for editing research theses together with the Australian Council of Graduate Research ...
Standard rate for a commercial PA in the Los Angeles area is a flat rate of $200 per day. On February 1, 2008, benefits for qualifying freelance PAs became available through the Producer's Health Benefits Plan. [9]
The company moved from human-identified lists of potential content to the use of a computer-based algorithm, a move that increased revenue by a factor of 4.9 times per article or video created. Getting rid of the human editors who formerly identified and approved content to be produced increased profits for the company by a factor of 20–25 times.