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  2. Godna - Wikipedia

    en.wikipedia.org/wiki/Godna

    Godna, also known as Khoda, is an ancient traditional form of tattoo art originating from the tribal communities of Northern and Central India. [1] [2] These tattoos are characterized by intricate designs and vivid colors, often depicting elements of nature, mythology, and daily life. [3] [4]

  3. Skull art - Wikipedia

    en.wikipedia.org/wiki/Skull_art

    Skull art is found in various cultures of the world. Indigenous Mexican art celebrates the skeleton and uses it as a regular motif. The use of skulls and skeletons in art originated before the Conquest : The Aztecs excelled in stone sculptures and created striking carvings of their Gods. [ 1 ]

  4. Tā moko - Wikipedia

    en.wikipedia.org/wiki/Tā_moko

    Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.

  5. Toi moko - Wikipedia

    en.wikipedia.org/wiki/Toi_moko

    Moko facial tattoos were traditional in Māori culture until about the mid-19th century, when their use began to disappear. There has been something of a revival from the late 20th century. In pre-European Māori culture, they denoted high social status. Generally only men had full facial moko. High-ranked women often had moko on their lips and ...

  6. Rapa Nui tattooing - Wikipedia

    en.wikipedia.org/wiki/Rapa_Nui_tattooing

    Tattoos, as well as other forms of art in Rapa Nui, blends anthropomorphic and zoomorphic imagery. [3] The most common symbols represented were of the Make-Make god, Moais, Komari (the symbol of female fertility), the manutara, and other forms of birds, fish, turtles or figures from the Rongo Rongo tablets.

  7. Visual arts of the Indigenous peoples of the Americas

    en.wikipedia.org/wiki/Visual_arts_of_the...

    Art historian Dawn Ades writes, "Far from being inferior, or purely decorative, crafts like textiles or ceramics, have always had the possibility of being the bearers of vital knowledge, beliefs and myths." [51] Recognizable art markets between Natives and non-Natives emerged upon contact, but the 1820–1840s were a highly prolific time.