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In literature an author sets the tone through words. The possible tones are bounded only by the number of possible emotions a human being can have. Diction and syntax often dictate what the author's (or character's) attitude toward his subject is at the time. An example: "Charlie surveyed the classroom but it was really his mother ...
A stock character, popular in 16th-century Spanish literature, who is comically and shockingly vulgar Clarín, the clown in Pedro Calderón de la Barca 's Life is a dream , is a gracioso. Examples of similar characters in Anglophone culture include Bubbles , Wheeler Walker, Jr. and the stand-up persona of Bob Saget
Mar et al., in a study of 94 participants, identified that the primary mode of literature that increases empathy is fiction, as opposed to non-fiction. [5] Other studies verify these results and go on to specify that active fiction in particular engages with the reader and affects the reader’s empathy, at the very least in adults, rather than passive, entertainment fiction. [6]
As Wiltshire has observed, "middle class" British society in Austen's time placed a premium on outward decorum, manners and the limitation of emotional distress to "private" life. In Austen's novels, the reader is aware that a character is suffering psychological stress or disturbance, but the other characters are aware only of physical ...
(28). According to Formalist critics, this action of creating an emotion through external factors and evidence linked together and thus forming an objective correlative should produce an author's detachment from the depicted character and unite the emotion of the literary work. The "occasion" of Eugenio Montale is a further form of correlative ...
In any narrative, the focal character is the character on whom the audience is meant to place the majority of their interest and attention. They are almost always also the protagonist of the story; however, in cases where the "focal character" and "protagonist" are separate, the focal character's emotions and ambitions are not meant to be empathized with by the audience to as high an extent as ...
In literature, psychological fiction (also psychological realism) is a narrative genre that emphasizes interior characterization and motivation to explore the spiritual, emotional, and mental lives of its characters. The mode of narration examines the reasons for the behaviours of the character, which propel the plot and explain the story. [1]
For example, in Laurence Sterne's novel, A Sentimental Journey Through France and Italy, the narrator is using the sentimental character Yorick as a device to critique the obligation of morality, whether it is sentimental or rational. There is a scene early in the novel where Yorick meets a monk and refuses "to give him a single sous [a penny]."