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A torii (Japanese: 鳥居, [to.ɾi.i]) is a traditional Japanese gate most commonly found at the entrance of or within a Shinto shrine, where it symbolically marks the transition from the mundane to the sacred, [1] and a spot where kami are welcomed and thought to travel through. [2]
Mon. (architecture) Nikkō Tōshō-gū 's omote-mon (front gate) structurally is a hakkyakumon (eight-legged gate) Mon (門, gate) is a generic Japanese term for gate often used, either alone or as a suffix, in referring to the many gates used by Buddhist temples, Shinto shrines and traditional-style buildings and castles.
雷門. The Kaminarimon (雷門, " Thunder Gate") is the outer of two large entrance gates that ultimately leads to the Sensō-ji (the inner being the Hōzōmon) in Asakusa, Tokyo, Japan. The gate, with its lantern and statues, is popular with tourists. It stands 11.7 m tall, 11.4 m wide and covers an area of 69.3 m 2. [1]
In Japanese, the word Itsukushima translates to "island dedicated to the gods." [2] The island itself is also considered to be a god, which is why the shrine was built on the outskirts of the island. [2] Adding to its sanctity, Mount Misen is the tallest peak at about 1,755 feet. [2] Tourists can either hike or take a ropeway to the top. [2]
Karamon. A kara-mon at Nijō Castle. The kara-mon or kara-kado (唐門) is a type of gate seen in Japanese architecture. It is characterized by the usage of kara-hafu, an undulating bargeboard peculiar to Japan. Kara-mon are often used at the entrances of Japanese castles, Buddhist temples and Shinto shrines, and have historically been a symbol ...
Akamon (赤門, Red gate) is a historical gate (mon) located in the Bunkyō ward of Tokyo, Japan. One of two remaining gates of the Edo period daimyō mansions in the city (the other one is Kuromon, currently located in the Tokyo National Museum). It was constructed in 1827 in the late Edo period in the residence of the Maeda clan in Edo.
The ruined gate is the central setting — and provides the title — for Ryūnosuke Akutagawa's short story "Rashōmon" and hence for Akira Kurosawa's 1950 film. Akutagawa's use of the gate was deliberately symbolic, with the gate's ruined state representing the moral and physical decay of Japanese civilization and culture.
The Kaminarimon (雷門, "Thunder Gate") is the outer of two large entrance gates that ultimately lead to the Sensō-ji (the inner being the Hōzōmon) in Asakusa. The gate, with its lantern and statues, is popular with tourists. It stands 11.7 metres (38 ft) tall, 11.4 metres (37 ft) wide and covers an area of 69.3 square metres (746 sq ft). [13]