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Price Peterson of New York magazine rated the episode 4 out of 5 stars, praising the "devastating performances" by Claire Danes and Suraj Sharma. [1]The A.V. Club's Josh Modell gave the episode a "B−" grade, saying it was a "fine episode" but consisted of "a lot of setup and not much payoff".
The fourth season of the American television drama series Homeland premiered on October 5, 2014, and concluded on December 21, 2014, on Showtime, consisting of 12 episodes. [ 1 ] [ 2 ] The series started as a loosely based variation of the two-season run of the Israeli television series Hatufim (English: Prisoners of War ) created by Gideon ...
With 11 positive reviews out of 12, the episode received a rating of 92% with an average score of 8.9 out of 10 on the review aggregator Rotten Tomatoes, with the site's consensus stating "'Why Is This Night Different?' finds various strands of Homeland ' s intriguing season five plot snapping into place amidst an intense, satisfying ...
The series premiered on October 2, 2011, on Showtime, [1] and concluded on April 26, 2020, after eight seasons and 96 episodes. [ 2 ] [ 3 ] [ 4 ] Series overview
Played by an uncredited baby actress in season 4, twins Luna and Lotta Pfitzer in season 5, and Claire and McKenna Keane in seasons 6 and 7, Frances "Frannie" Mathison is the daughter of Carrie Mathison and Nicholas Brody, born after her father's death. Carrie initially avoids taking care of her daughter, leaving the infant Frannie to stay with ...
Homeland (stylized as HOMƎLAND) is an American espionage thriller television series developed by Howard Gordon and Alex Gansa based on the Israeli series Prisoners of War (Hebrew: חטופים, romanized: Hatufim, literally "Abductees") which was created by Gideon Raff, [1] [2] who serves as an executive producer on Homeland.
Joshua Alston of The A.V. Club gave a "B−" grade, saying that the episode had problems with its pacing, while also observing there was "a genuine thoughtfulness lent to this episode". [4] IGN's Scott Collura rated the episode a 9.0 out of 10, and wrote "Season 4 ended on a quiet, reflective cliffhanger, a nice change of pace for the series". [5]
Alyssa Rosenberg of The Washington Post lauded the episode for its "two great, tense sequences, the second even better for coming as a genuine shock". [5] New York magazine's Price Peterson rated the episode 5 out of 5 stars, adding that "this week's episode was the season's best yet". Peterson highlighted the unpredictability of the writing ...