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Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies , evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in question.
The history of art focuses on objects made by humans for any number of spiritual, narrative, philosophical, symbolic, conceptual, documentary, decorative, and even functional and other purposes, but with a primary emphasis on its aesthetic visual form.
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
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Early photographs influenced Impressionist style by its use of asymmetry, cropping and most obviously the blurring of motion, as inadvertently captured in the very slow speeds of early photography. Edgar Degas , Claude Monet, Pierre-Auguste Renoir - in their framing , use of color, light and shadow, subject matter - put these innovations to ...
Impressionism which began as a private association of Paris-based artists who exhibited publicly in 1874. The movement was named after Claude Monet 's Impression, Sunrise (Impression, soleil levant) ( 1872 / 1873 ); the term being coined by critic Louis Leroy.
The French Impressionism movement of the 19th century was influential on the development of Colourist painting and other similar movements such as Fauvism and Expressionism. Impressionists like Claude Monet were known for their use of colour to represent shadow and light, something that later movements would incorporate into their own styles.