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A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
Organic architecture is a philosophy of architecture which promotes harmony between human habitation and the natural world. This is achieved through design approaches that aim to be sympathetic and well-integrated with a site, so buildings, furnishings, and surroundings become part of a unified, interrelated composition.
A shape is a two-dimensional design encased by lines to signify its height and width structure, and can have different values of color used within it to make it appear three-dimensional. [2] [4] In animation, shapes are used to give a character a distinct personality and features, with the animator manipulating the shapes to provide new life. [1]
Organic Abstraction is an artistic style characterized by "the use of rounded or wavy abstract forms based on what one finds in nature." [1] It takes its cues from rhythmic forms found in nature, both small scale, as in the structures of small-growth leaves and stems, and grand, as in the shapes of the universe that are revealed by astronomy and physics. [2]
In 1202, Leonardo Fibonacci introduced the Fibonacci sequence to the western world with his book Liber Abaci. [5] Fibonacci presented a thought experiment on the growth of an idealized rabbit population. [6] Johannes Kepler (1571–1630) pointed out the presence of the Fibonacci sequence in nature, using it to explain the pentagonal form of ...
The only two pentagonal planar species known are the isoelectronic (nine valence electrons) ions [XeF 5] − (pentafluoroxenate(IV)) and [IF 5] 2− (pentafluoroiodate(III)). [1] Both are derived from the pentagonal bipyramid with two lone pairs occupying the apical positions and the five fluorine atoms all equatorial.
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