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Of similar accentuation are four-syllable words accented on the 3rd syllable. In these polysyllabic words, in most cases the shortened second syllable is also closed. [97] These four-syllable words can start an iambic line: voluptāte, vīn(ō) et amōre dēlēctāverō [98] (starts ia6) "I shall enjoy myself with pleasure, wine, and love"
Ionic: a metrical foot consisting of 2 short and 2 long syllables Minor ionic (aka double iamb): short-short-long-long; Major ionic: long-long-short-short; Diamb: short-long-short-long (i.e., two iambs) Ditrochee: long-short-long-short (i.e., two trochees) Antispast: short-long-long-short; Choriamb: long-short-short-long (i.e., a trochee/choree ...
Common metre or common measure [1] —abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the ...
This is a list of candidates for the longest English word of one syllable, i.e. monosyllables with the most letters. A list of 9,123 English monosyllables published in 1957 includes three ten-letter words: scraunched, scroonched, and squirreled. [1] Guinness World Records lists scraunched and strengthed. [2] Other sources include words as long ...
The first syllable of a word is the initial syllable and the last syllable is the final syllable. In languages accented on one of the last three syllables, the last syllable is called the ultima , the next-to-last is called the penult , and the third syllable from the end is called the antepenult.
Rhythm is measured in small groups of syllables called "feet". "Iambic" indicates that the type of foot used is the iamb, which in English is an unstressed syllable followed by a stressed syllable (as in a-BOVE). "Pentameter" indicates that each line has five "feet". Iambic pentameter is the most common meter in English poetry.
The most common form in French is the Alexandrin, with twelve syllables a verse, and in classical Chinese five characters, and thus five syllables. But since each Chinese character is pronounced using one syllable in a certain tone , classical Chinese poetry also had more strictly defined rules, such as thematic parallelism or tonal antithesis ...
It is apparent that it occurred most commonly in short words, especially monosyllables, that were common and well-established in English at the time broadening took place (c. 1500–1650). Words of 3 or more syllables were hardly ever subject to broadening.