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"Blue Monday" has been labelled a "synth-pop classic" [21] [22] and described as cementing the group's movement from post-punk to alternative dance. [5]It has been noted as an example of the hi-NRG style of club music, [23] and the 2004 edition of The Rolling Stone Album Guide called it "the ultimate in flawlessly programmed, LSD-driven, push-button dance-pop".
"Blue (Da Ba Dee)" is a song by Italian music group Eiffel 65. It was first released in October 1998 in Italy by Skooby Records and became internationally successful the following year. [ 3 ] It is the lead single of the group's 1999 debut album, Europop .
"Blue" is a song by Dutch disc jockey and producer Tiësto with vocals by British singer and songwriter Stevie Appleton. It was released on 13 December 2019 by Musical Freedom in the Netherlands as the fourth single from Tiësto 's seventh studio album The London Sessions .
Madonna is one proud mom!. The pop star, 66, shared two posts on her Instagram Stories on Saturday, Sept. 28, to promote her 12-year-old daughter Estere’s new techno song.. The track, titled ...
They were already making techno music akin of Aphex Twin, Autechre and Black Dog [6] together for years when they founded I Monster in 1998. Drawing inspiration from the psychedelic rock, progressive rock and easy listening of the '60s as well as Ennio Morricone, they would go buy vinyl records and start to chop them into songs.
Thomas Slinger, known professionally as Gemini, is an English producer, songwriter, vocalist and DJ, active between 2010 and 2016.. Born and raised in Leicester, he soon discovered a talent for the production of electronic dance music (particularly dubstep) and released his first EP, Blue, on 14 February 2011 while studying at Leeds University.
"Blue" is a song by American singer-songwriter Billie Eilish and the closer from her third studio album, Hit Me Hard and Soft (2024). It was released on May 17, 2024. It was released on May 17, 2024. This song is a mix of two of Eilish's unreleased songs: "Born Blue" and "True Blue".
In Europe regional variants quickly evolved and by the early 1990s techno subgenres such as acid, hardcore, bleep, ambient, and dub techno had developed. Music journalists and fans of techno are generally selective in their use of the term, so a clear distinction can be made between sometimes related but often qualitatively different styles ...