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The Stalag riddim (or Stalag version) is a popular reggae riddim, which came to prominence in the 1980s. It was originally written and recorded as "Stalag 17" (named after the 1953 war film) by Ansel Collins and released by Winston Riley's Techniques record label in 1973. [1] The riddim has been used on hundreds of derivative records.
His "Stalag" riddim is the most sampled reggae song of all time. The rhythm was first released in 1973, as the instrumental Ansell Collins track "Stalag 17", named after the World War II film of the same name .
The Stalag riddim was first introduced in a reggae song called “Stalag 17,” written and performed by Ansell Collins and released by Winston Riley's Techniques record label in 1973. The melody and cadence of the "Bam Bam" refrain in the chorus of Sister Nancy's version closely follows the original background melody of Toots and The Maytals ...
The song uses elements of the Stalag riddim and also begins with a sample from reggae artist Yellowman's song Mister Chin on the album Mister Yellowman [citation needed] The song contains instrumental sampling and interpolated vocals from dancehall artist Tenor Saw's 1985 song "Ring The Alarm" throughout.
Richard Erdman, who played Hoffy in Stalag 17, guest-starred on Hogan's Heroes as Walter Hobson, a reporter, who with Hogan's crew, is freed in the episode "No Names Please". Erdman is the only star of the movie to have guest-starred on Hogan's Heroes. "Stalag 17" is a 1973 reggae riddim, composed by Ansell Collins and named after the film.
The term "riddim" is the Jamaican Patois pronunciation of the English word "rhythm".The derived genre originally stemmed from dub, reggae, and dancehall.Although the term was widely used by MCs since the early days of dancehall and garage music, it was later adopted by American dubstep producers and fans to describe what was originally referred to as "wonky dubstep".
In Jamaican dancehall music, a riddim is the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the riddim plus the voicing (vocal part) sung by the deejay .
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