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Over time, the embroidery style has been applied to tablecloths, napkins, pillow cases, bedspread, various styles of clothing and more. [8] While the work is still primarily done by women, men have taken it up, not only in Tenango but in prison handcraft programs as well. [5] [6] [7]
Frida Kahlo, who was known for her wearing of Mexican indigenous clothing, had quechquemetls, including one from Puebla with symbols related to fertility which are no longer made. [7] There have been conferences and other academic events devoted to the garment, such as a CONACULTA sponsored conference at the Museo Nacional de Antropología .
Most of the pre-Hispanic clothing that survives is for women. [1] These include "enredos", or wrap dresses, fajas, or cloth belts, huipils, a type of tunic, quechquemitl, which is a kind of rectangular or square short poncho. The last was originally worn directly on the upper body of a woman but today it is worn over a blouse. [9]
However, it is evident that in contemporary dress, a Rebozo (also called Sarape or Gabán) is a shawl worn by women and heavily influenced by the Tilma. Many of the key aspects and characteristics of older attire serve as a template for the patterns and embroidery seen in contemporary textiles and garments.
The indigenous women of the Isthmus of Tehuantepec are known for wearing two huipils. The first is a short velvet huipil which is heavily embroidered with floral motifs and a second one for special occasions, usually white, which frames the face then extends over the head covering the neck and shoulders.
The most distinctive of these is clothing items, but tablecloths, napkins and other wares are also made. [ 8 ] Many Mixtec , Amuzgo and Nahua women still wear traditional dress, often made with hand woven cloth, with the finished product hand-embroidered.