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Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [2] [3] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
"The Freedom Song (They'll Never Take Us Down)", a 2013 song by Neil Diamond 'Think' by Aretha Franklin (from the film Blues Brothers ) contains the refrain Freedom! Freedom!
As a musical movement, nationalism emerged early in the 19th century in connection with political independence movements, and was characterized by an emphasis on national musical elements such as the use of folk songs, folk dances or rhythms, or on the adoption of nationalist subjects for operas, symphonic poems, or other forms of music. [1]
“The use of a song with that type of title, or a hook with lyrics referring to liberty or freedom, often tries to portray the candidate as supporting voters’ personal autonomy and security ...
Another song with a reportedly secret meaning is "Now Let Me Fly" [3] which references the biblical story of Ezekiel's Wheels. [4] The song talks mostly of a promised land. This song might have boosted the morale and spirit of the slaves, giving them hope that there was a place waiting that was better than where they were.
"Oh, Freedom" is a post-Civil War African-American freedom song. It is often associated with the Civil Rights Movement, with Odetta , who recorded it as part of the "Spiritual Trilogy", on her Odetta Sings Ballads and Blues album, [ 1 ] and with Joan Baez , who performed the song at the 1963 March on Washington . [ 2 ]
For a typical song written from a child's point-of-view, see Jean Schwartz (music), Sam M. Lewis & Joe Young (lyrics) and their song "Hello Central! Give Me No Man's Land" (1918), in which a young boy tries to call his father in No Man's Land on the telephone (then a recent invention), unaware that he has been killed in combat.
Music scholar Anne Schumann writes that music protesting apartheid became a part of Western popular culture, and the "moral outrage" about apartheid in the west was influenced by this music. [77] The cultural boycott, and the criticism that Paul Simon received for breaking it, was an example of how closely connected music had become to politics ...