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An oratorio (Italian pronunciation: [oraˈtɔːrjo]) is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. [ 1 ] Like most operas , an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias .
Secco recitatives, popularized in Florence though the proto-opera music dramas of Jacopo Peri and Giulio Caccini during the late 16th century, formed the substance of Claudio Monteverdi's operas during the 17th century, and continued to be used into the 19th century Romantic era by such composers as Gaetano Donizetti, reappearing in Stravinsky ...
In classical music, arioso (; also aria parlante [1] [ˈaːrja parˈlante]) is a category of solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means airy. The term arose in the 16th century along with the aforementioned styles and monody.
Concerto – Musical work where one or more solo instruments are contrasted with an orchestra. Concerto grosso – Form in which the musical material is passed between a small group of soloists and full orchestra. Concerto da camera – Concerto with the character of a dance suite, introduced by a prelude.
Small-scale one-act opera, or musical play. Early form of chamber opera. Popular in late 17th and 18th centuries. (See also festa teatrale, a similar genre but on a larger scale.) Le cinesi (1754), Il sogno di Scipione (1772), L'isola disabitata (1779) Bonno, Gluck, Mozart, Haydn [4] Ballad opera: English
The term originated in the early 17th century, simultaneously with opera and oratorio. [citation needed] [2] Prior to that, all "cultured" music was vocal.With the rise of instrumental music, the term appeared, while instrumental art became sufficiently developed to be embodied in sonatas.
The Italian overture is a piece of orchestral music which opened several operas, oratorios and other large-scale works in the late 17th and early 18th centuries.. An Italian overture typically has a three-movement structure [1] – the outer movements are quick, the middle movement is slow.
European public funding to opera has led to a disparity between the number of year-round opera houses in Europe and the United States. For example, "Germany has about 80 year-round opera houses [as of 2004], while the U.S., with more than three times the population, does not have any. Even the Met only has a seven-month season." [71]