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The Cure, Jane's Addiction, Radiohead, Joy Division, Muse, PiL, and The Smashing Pumpkins are considered to be the underlying influences of The Abyss' musical style. [1] [2] Heavily influenced by visual art, the sound of The Abyss has been described [by whom?] to capture the dark emotional underpinnings from life in a way that transforms those emotions into something that can be felt through ...
Individual songs are usually priced at either US$1.99/€1.49/£0.99, or US$1.00/€0.75/£0.59, with a few exceptions priced at £1.19 or £1.49/€1.99; [16] all are available for download through PlayStation Network, Xbox Live and the Wii's online service unless otherwise noted on the list below.
The album received largely positive reviews from critics, but was polarising among fans due to its movement away from the style of the band's previous albums. Distorted Sound Magazine commented on this, saying "Abyss needs to be judged as the album it is, rather than the album people thought it should be.
The Abyss (band), an American alternative rock band; The Abyss (musical project), a black metal side project of the Swedish death metal band Hypocrisy; The Abyss (recording studio), a recording studio owned by Swedish musician Peter Tägtgren; Abyss, the talent agency that represents the South Korean performing artist Sandara Park
The Abyss is a 1989 American science fiction film written and directed by James Cameron and starring Ed Harris, Mary Elizabeth Mastrantonio, and Michael Biehn. When an American submarine sinks in the Caribbean, a US search and recovery team works with an oil platform crew, racing against Soviet vessels to recover the boat.
Rockbitch was originally formed in 1984 as Cat Genetica by bassist Amanda Smith-Skinner ("the Bitch") and guitarist Tony Skinner ("the Beast"). The band was later renamed Red Abyss, [3] in 1989, and drew band members from the matriarchal, polyamorous, pagan, feminist community of which Smith-Skinner was a member.