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It describes the poet's musings on death over a series of nine "nights" in which he ponders the loss of his wife and friends, and laments human frailties. The best-known line in the poem (at the end of "Night I") is the adage "procrastination is the thief of time", which is part of a passage in which the poet discusses how quickly life and ...
So sad, so fresh, the days that are no more. Ah, sad and strange as in dark summer dawns The earliest pipe of half-awaken'd birds To dying ears, when unto dying eyes The casement slowly grows a glimmering square; So sad, so strange, the days that are no more. Dear as remembered kisses after death, And sweet as those by hopeless fancy feign'd
Kansas native Clare Harner (1909–1977) first published "Immortality" in the December 1934 issue of poetry magazine The Gypsy [1] and was reprinted in their February 1935 issue. It was written shortly after the sudden death of her brother. Harner's poem quickly gained traction as a eulogy and was read at funerals in Kansas and Missouri.
If you are currently struggling through a breakup or recently had your heart broken, here are 55 broken heart quotes to make you feel better.
Heartbreak movie quotes “Hearts will never be practical until they are made unbreakable.” –Tin Man, “The Wizard of Oz” “But if you want to leave, you can. I’ll remember you, though.
Like many of Poe's works, the poem focuses on the death of a beautiful woman, a death which the mourning narrator struggles to deal with while considering the nature of death and life. Some lines seem to echo the poem "Christabel" by Samuel Taylor Coleridge, a poet known to have had a heavy influence on Poe's poetry. [39]
Lisa Marie Presley's memoir, 'From Here to the Great Unknown,' cowritten with her daughter Riley Keough, has many wise words on Elvis, Graceland, addiction, and loss. Here are our favorites.
“Mad Girl's Love Song” is a poem by Sylvia Plath that explores love, heartbreak, and delusion. It follows the thought process of the speaker reflecting on a lost love, and struggling to decide whether the memories and feelings associated with the love were real or imagined.