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According to Argeliers León, rumba is one of the major "genre complexes" of Cuban music, [1] and the term rumba complex is now commonly used by musicologists. [ 2 ] [ 3 ] This complex encompasses the three traditional forms of rumba (yambú, guaguancó and columbia), as well as their contemporary derivatives and other minor styles.
Throughout Latin America, "rumba" acquired different connotations, mostly referring to Cubanized, danceable, local styles, such as Colombian rumba criolla (creole rumba). At the same time, "rumba" began to be used a catch-all term for Afro-Cuban music in most African countries, later giving rise to re-Africanized Cuban-based styles such as ...
Another Cuban all-star ensemble, Caravana Cubana, recorded and released two albums at the turn of the century, Late Night Sessions (2000) and Del alma (2002). Described as a "serendipitous union of stellar jammers", both sessions include descargas combined with various genres ranging from son to rumba. [40]
Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in ...
They brought their incredible musical traditions, like son, rumba, and cha-cha-cha, sparking a fiery dance culture we now call Miami Cuban style salsa. [1] Other partner dancing styles include Trios or Quattros, in which a lead dances with two or more partners in intricate patterns. There is also a Trios version in which two leads share a follow.
Los Muñequitos disbanded in the early 1960s, but re-formed by the end of the decade. They cemented their position as one of Cuba's leading rumba ensembles with songs like "Óyelos de nuevo" and "La chismosa del solar", released in the early 1970s by EGREM. By the 1980s Los Muñequitos were widely known by rumba aficionados in and outside of Cuba.
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