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A long gown with a train has fur at the cuffs and neckline and is worn with a wide belt, c. 1460. An attendant in the same illustration wears a red hood with a long liripipe. Her blue dress is "kirtled" or shortened by poufing it over a belt, c. 1460. Woman wears a simple headdress of draped linen and a red houppelande trimmed with white fur ...
Anne's gown is open at the front to reveal a figured silk kirtle beneath. The gowns have wide sleeves with turned-back cuffs lined in fur, 1508. Anne Stafford wears a black fur-lined gown with turned-back sleeves over a dark kirtle [13] She wears a soft sash at her waist and a sheer partlet over a square-necked chemise, c. 1535.
Gowns were made in a variety of styles: Loose or fitted (called in England a French gown); with short half sleeves or long sleeves; and floor length (a round gown) or with a trailing train. [20] [21] The gown was worn over a kirtle or petticoat (or both, for warmth). Prior to 1545, the kirtle consisted of a fitted one-piece garment. [22]
"We have been asked to make a dress that is gonna break the 100-pound barrier. This is, like, a major construction job," said Sondra Celli on "My Big Fat American Gypsy Wedding."
Meat dress of Lady Gaga, worn at the 2010 MTV Video Music Awards; Pink dress of Marilyn Monroe, worn in the 1953 film Gentlemen Prefer Blondes; Red dress of Julia Roberts, worn in the 1990 film Pretty Woman; Union Jack dress, worn by Geri Halliwell at the Brit Awards 1997; White dress of Marilyn Monroe, worn in the 1955 film The Seven Year Itch [2]
Europeans styles in dresses increased dramatically to the hoopskirt and crinoline-supported styles of the 1860s, [46] then fullness was draped and drawn to the back. [47] Dresses had a "day" bodice with a high neckline and long sleeves, and an "evening" bodice with a low neckline and very short sleeves. In Russia, metal hoopskirts were known as ...