Search results
Results From The WOW.Com Content Network
Swing jazz emerged as a dominant form in American music, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn Miller, and Artie Shaw.
Charlie and his Orchestra (also referred to as the "Templin band" and "Bruno and His Swinging Tigers") were a Nazi-sponsored German propaganda swing band. Jazz music styles were seen by Nazi authorities as rebellious but, ironically, propaganda minister Joseph Goebbels conceived of using the style in shortwave radio broadcasts aimed initially at the United Kingdom, and later the United States ...
It is the most recorded jazz standard of all time. [2] In the 1930s, swing jazz emerged as a dominant form in American music. Duke Ellington and his band members composed numerous swing era hits that have become standards: "It Don't Mean a Thing (If It Ain't Got That Swing)" (1932), "Sophisticated Lady" (1933) and "Caravan" (1936
Coleman began professional work in Cincinnati with bands led by Clarence Paige and Wesley Helvey (both bands his teacher Carpenter worked in) then with Lloyd and Cecil Scott. In December 1927, he traveled with the Scott brothers to New York City, and continued to work with them until the late summer of 1929, when he joined the orchestra of ...
Mildred Bailey known as "The Queen of Swing," Bailey had early ties to Dixieland through her work with jazz bands. In the late 1940s, there was a revival of Dixieland, harking back to the contrapuntal New Orleans style. This was driven in large part by record company reissues of jazz classics by the Oliver, Morton, and Armstrong bands of the 1930s.
There were two categories of live music on the radio: concert music and big band dance music. The concert music was known as "potter palm" and was concert music by amateurs, usually volunteers. [53] Big band dance music is played by professionals and was featured in remote [54] broadcasts from nightclubs, dance halls, and ballrooms. [55]
Cities were crowded with workseekers. Black musicians were not allowed to play in studios or on radio. However, jazz music was resilient. While businesses, including the record industry, were down, the dance halls were packed with people dancing the jitterbug to the music of big bands, which would come to be called swing music. [1]
Tipton's music career began in the mid-1930s when he led a band for radio broadcasts. He played in various dance bands in the 1940s and recorded two trio albums for a small record label in the mid-1950s. Thereafter, he worked as a talent broker. He stopped performing in the late 1970s due to arthritis.