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Duke Ellington and his band members composed numerous swing era hits that have become standards: "It Don't Mean a Thing (If It Ain't Got That Swing)" (1932), "Sophisticated Lady" (1933) and "Caravan" (1936), among others. Trumpeter, bandleader and singer Louis Armstrong was a much-imitated innovator of early jazz. Swing was also dance music.
It is the most recorded jazz standard of all time. [2] In the 1930s, swing jazz emerged as a dominant form in American music. Duke Ellington and his band members composed numerous swing era hits that have become standards: "It Don't Mean a Thing (If It Ain't Got That Swing)" (1932), "Sophisticated Lady" (1933) and "Caravan" (1936
2 – Ahmad Jamal, American jazz pianist and composer (died 2023). 3. Pete Fountain, American jazz clarinetist (died 2016). Ron Collier, Canadian jazz trombonist (died 2003). Ronnell Bright, American jazz pianist (died 2021). Tommy Tedesco, American guitarist (died 1997). 7 – Hank Mobley, American saxophonist and composer (died 1986).
The Jazz Age was a period in the 1920s and 1930s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz.
Mildred Bailey known as "The Queen of Swing," Bailey had early ties to Dixieland through her work with jazz bands. In the late 1940s, there was a revival of Dixieland, harking back to the contrapuntal New Orleans style. This was driven in large part by record company reissues of jazz classics by the Oliver, Morton, and Armstrong bands of the 1930s.
The earliest formal books on jazz begin to appear, including Wilder Hobson's American Jazz Music and Frederick Ramsey and Charles Edward Smith's Jazzmen. [1] Fletcher Henderson becomes the first black musician who is a regular member of a white big band when he joins Benny Goodman, although he does not became a featured artist in the band. [1]
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"Just Friends" is a popular song that has become a jazz standard.The song was written in 1931 by John Klenner with lyrics by Sam M. Lewis.Although introduced by Red McKenzie and His Orchestra in October 1931, it first became a hit when singer Russ Columbo performed it with Leonard Joy’s Orchestra in 1932.