Search results
Results From The WOW.Com Content Network
Gamelan is used to accompany various traditional ceremonies in Indonesia, gamelan kodhok ngorek, gamelan monggang, gamelan carabalen, and gamelan ageng are used for important ceremonies related to kings in the Yogyakarta and Surakarta palaces such as the king's coronations ceremony, the king's birthday ceremony, the coronation anniversary ...
In Java, the full gamelan also adds a bowed string instrument (the rebab, a name illustrative of Islamic influence), plucked siter, vertical flute suling and voices. [1] The rebab is one of the main melodic instruments of the ensemble, together with the metallophone gendér; these and the kendang drums are often played by the most experienced ...
Sarons of the Gamelan Sekati in Yogyakarta The Gamelan Sekaten (or Sekati ) is a ceremonial gamelan (musical ensemble) from central Java , Indonesia , played during the annual Sekaten festival. The word " sekaten " itself is derived from syahadatain or shahada , the first requirement for converting into Islamic faith.
A complete gamelan gambuh requires approximately 17 musicians to accompany the dance-drama. The main instruments in gambuh performances are very low bamboo flutes, called suling gambuh, between 75 and 100 cm in length and 4 and 5 cm in diameter.
The gamelan gambang is a type of gamelan ensemble in Bali which uses four gambangs, a wooden xylophone-like instrument (as opposed to most gamelan instruments, which are made of bronze), as well as two sarons. It is considered an ancient and sacred ensemble, and is used for temple and funeral rites.
Joged bumbung is a style of gamelan music from Bali, Indonesia on instruments made primarily out of bamboo. [1] [2] The ensemble gets its name from joged, a flirtatious dance often performed at festivals and parties. This style of Gamelan is especially popular in Northern and Western Bali, but is easily found all over the island.
The kempyang and ketuk are two instruments in the gamelan ensemble of Indonesia, generally played by the same player, and sometimes played by the same player as the kenong. They are important beat-keepers in the colotomic structure of the gamelan. Depending on the structure, they play different, repeating patterns every gongan. Not all ...
In the early 1980s, along with his students Michael Tenzer and Rachel Ann Cooper, he founded and led the famous Sekar Jaya gamelan ensemble in Berkeley, California. In 1993, he cofounded the ensemble Giri Kedaton in Montreal. From 1982 to 2004, he was professor at the National Arts Academy of Indonesia (STSI) in Bali.