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" Komm, Gott Schöpfer, Heiliger Geist" ("Come, God Creator, Holy Ghost") is a Lutheran hymn for Pentecost, with words written by Martin Luther based on the Latin "Veni Creator Spiritus". The hymn in seven stanzas was first published in 1524.
It opens with requesting the Holy Spirit to come. An acclamation "O Herr" (O Lord) begins the central fifth line, and the thoughts culminate in a double Hallelujah in the last line. The Spirit is asked: "fill with the goodness of your grace / the heart, spirit and mind of your believers, / kindle in them your ardent love!" [2]
Feelin' the Spirit is an album by jazz guitarist Grant Green originally issued on Blue Note Records as BLP 4132 and BST 84132. Consisting of jazz arrangements of traditional African American spirituals , it is one of a series of themed records recorded by the guitarist in 1962.
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).
Preludes for Piano is a set of four short pieces for piano solo composed by John Ireland between 1913 and 1915. They were published in the latter year. [1] [2] [3] The pieces, with typical timings, are: The Undertone (3 minutes) [4] Obsession (3 minutes) [5] The Holy Boy (composed on Christmas Day 1913; subtitled A Carol of the Nativity; 4 ...
The five notes in the original hymn for the opening melisma on Wir are expanded in the first two bars and the remaining notes are used for the countersubject. There is exceptionally no cantus firmus, probably because of the exceptional length of the hymn. Features of the remainder of the hymn, however, suffuse the writing, in particular the ...
All compositions are traditional except where noted "Every Time I Feel the Spirit" – 2:17 "Deep River" – 1:55 "I Couldn't Hear Nobody Pray" – 2:17 "Sometimes I Feel Like a Motherless Child" – 2:30
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...