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As in traditional Mikraot Gedolot, the Hebrew text includes the masoretic text, the Aramaic Targum, and several classic rabbinic commentaries. The English translations, by Rosenberg, include a translation of the Biblical text, Rashi's commentary, and a summary of rabbinic and modern commentaries. [23]
Jerome based his Latin Vulgate translation on the Hebrew for those books of the Bible preserved in the Jewish canon (as reflected in the Masoretic text), and on the Greek text for the deuterocanonical books. The translation now known as the Septuagint was widely used by Greek-speaking Jews, and later by Christians. [11]
11th century Hebrew Bible with targum, perhaps from Tunisia, found in Iraq: part of the Schøyen Collection. A targum (Imperial Aramaic: תרגום, interpretation, translation, version; plural: targumim) was an originally spoken translation of the Hebrew Bible (also called the Hebrew: תַּנַ״ךְ, romanized: Tana"kh) that a professional translator (מְתוּרגְמָן mǝṯurgǝmān ...
In Talmudic times, readings from the Torah within the synagogues were rendered, verse-by-verse, into an Aramaic translation. To this day, the oldest surviving custom with respect to the Yemenite Jewish prayer-rite is the reading of the Torah and the Haftara with the Aramaic translation (in this case, Targum Onkelos for the Torah and Targum Jonathan ben 'Uzziel for the Haftarah).
The Septuagint (/ ˈ s ɛ p tj u ə dʒ ɪ n t / SEP-tew-ə-jint), [1] sometimes referred to as the Greek Old Testament or The Translation of the Seventy (Koinē Greek: Ἡ μετάφρασις τῶν Ἑβδομήκοντα, romanized: Hē metáphrasis tôn Hebdomḗkonta), and abbreviated as LXX, [2] is the earliest extant Greek translation of the Hebrew Bible from the original Biblical Hebrew.
Alter's translation is considered unique in its being a one-man translation of the entire Hebrew Bible. [1] Moreover, while most translations aimed to preserve theological accuracy, Alter's translation aims to convey the literary style of the widely used Hebrew text in English, recreating as much as possible its poetic rhythms and metaphors. [2]