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Herrán Matorras' Virgin of El Panecillo (1976) on El Panecillo is a large replica of the sculpture. The Virgin of Quito (Spanish, La Virgen de Quito) — also known as the Virgin of the Apocalypse, Winged Virgin of Quito, Dancing Madonna, and Legarda's Virgin — is a wooden sculpture by the Quiteño artist Bernardo de Legarda (ca. 1700-1773) which has become the most representative example ...
File: Diego Velázquez - Coronation of the Virgin - Prado.jpg. Add languages. File; Talk ...
The Virgin and the laughing Child, Leonardo da Vinci, from Victoria and Albert Museum, London [1] The Virgin and Laughing Child, also called The Virgin with the laughing Child, or generally abbreviated as another of many depictions of the Virgin and Child, [1] is a statuette originating in Florence and was made circa 1460. [1]
The Virgin and Child with Saints Dorothy and George (c. 1516) by Titian. The Virgin and Child with Saints Dorothy and George is an oil on panel painting by Titian, from c. 1516.. It is held now in the Museo del Prado, in Madrid, to which it was transferred in 1839. [1]
Contarini's work is extremely mannered, soft and sweet, but distinguished by beautiful, rich coloring and executed very much on the lines of Titian's painting. His finest picture is in the Louvre , having been removed from the ducal palace at Venice, and represents the Virgin and Child with St Mark and St Sebastian , and the Doge of Venice ...
The four capital virgins, Latin: (quattuor) virgines capitales, are a group of virgin martyrs of the early church. In literature they are also called main virgins or excellent virgins . These are: Saint Catherine of Alexandria , Saint Margaret of Antioch , Saint Barbara and Saint Dorothea .
The Assumption of the Virgin is an oil on canvas painting by Greek artist Doménikos Theotokópoulos, known as El Greco, in 1577–1579. The painting was a central element of the altarpiece of the church of Santo Domingo el Antiguo in Toledo, Spain. [ 1 ]
The Drapery Study for the Virgin is a drawing by Leonardo da Vinci in the Louvre. Executed in charcoal, Indian ink, and gray wash, with highlights of ceruse white on yellowed, black-tinted paper, it is a preparatory study for the drapery of the Virgin Mary 's cloak in Leonardo's painting The Virgin and Child with Saint Anne , also in the Louvre.