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Graham published a number of books, tape recordings and CDs on her method mainly by Oxford University Press. The series of computer programs Languages with Music is the first software based on Jazz Chants ideas. [2] Jazz Chants appeal to students of all ages, and work with large classes, and stimulate pairwork and role-playing activities. [3]
In traditional music, repetition is a device for creating recognizability, reproduction for the sake of the music notes of that specific line and the representing ego. In repetitive music, repetition does not refer to eros and the ego, but to the libido and to the death instinct." Repetitive music has also been linked with Lacanian jouissance.
Download as PDF; Printable version; ... Repetition (music) (9 P) Riffs (10 P, ... Pages in category "Musical techniques" The following 123 pages are in this category ...
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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Isorhythm (from the Greek for "the same rhythm") is a musical technique using a repeating rhythmic pattern, called a talea, in at least one voice part throughout a composition. Taleae are typically applied to one or more melodic patterns of pitches or colores , which may be of the same or a different length from the talea .
The Guinness Book Of Records cites one washer song that has been sung for decades by people washing clothes, though presumably not all through the night. Self referential songs refer to themselves like The Song That Doesn't End and may even recursively quote their own lyrics, for example " I Know a Song that will Get on Your Nerves " where each ...
Variation techniques are frequently used within pieces that are not themselves in the form of theme and variations. For example, when the opening two-bar phrase of Chopin's Nocturne in F minor returns later in the piece, it is instantly repeated as an elegant melodic re-working: