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The distinction between the two may be best defined from the viewpoint of the audience, according to whom a work is non-fiction if its people, settings, and plot are perceived entirely as historically or factually real, while a work is regarded as fiction if it deviates from reality in any of those areas.
Spy: fiction involving espionage and establishment of modern intelligence agencies. Spy-Fi: spy fiction that includes elements of science fiction. Subterranean; Superhero; Swashbuckler: fiction based on a time of swordsmen, pirates and ships, and other related ideas, usually full of action. Picaresque
Non-fiction (or nonfiction) is any document or media content that attempts, in good faith, to convey information only about the real world, rather than being grounded in imagination. [1] Non-fiction typically aims to present topics objectively based on historical, scientific, and empirical information.
The following outline is provided as an overview of and topical guide to fiction: Fiction – narrative which is made up by the author. Literary work, it also includes theatrical, cinematic, documental, and musical work. In contrast to this is non-fiction, which deals exclusively in factual events (for example, biographies, histories).
These books have been recognized by the American Pulitzer Prize for General Nonfiction, awarded since 1962 for a distinguished work of nonfiction by an American writer that is not eligible in another category. For biographies of the prize-winning writers, see Category:Pulitzer Prize for General Nonfiction winners.
The non-fiction novel is a literary genre that, broadly speaking, depicts non-fictional elements, such as real historical figures and actual events, woven together with fictitious conversations and uses the storytelling techniques of fiction. [citation needed] The non-fiction novel
The recipients of fictional works are for the most part well aware that the work is fictional, but they like fiction because it is entertaining, and potentially also inspiring and illuminating. Myth , on the other hand, is usually of uncertain origin and authorship, and in many cases, seems to have developed in layers over long periods of time.
The creation of speculative fiction in its general sense of hypothetical history, explanation, or ahistorical storytelling, has also been attributed to authors in ostensibly non-fiction modes since as early as Herodotus of Halicarnassus (fl. 5th century BCE), for his Histories, [25] [26] [27] and was already both practiced and edited out by ...