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The Revere Camera Company was founded in the early 1920s in Chicago, Illinois, as the Excel Auto Radiator Company by Ukrainian immigrant Samuel Briskin. [1] Built for Excel – and designed by Alfred S. Alschuler, [2] the manufacturing facility was located at 320 E. 21st St., Chicago, Illinois.
35mm filmstrip projectors; Overhead presentation projectors (all models) Stereo cameras and stereo slide projectors through its TDC subsidiary; Slide Cube Projector, circa 1970; In 1934, Bell & Howell introduced their first amateur 8mm movie projector, in 1935 the Filmo Straight Eight camera, and in 1936 the Double-Run Filmo 8.
Use of film remained the dominant form of cinematography until the early 21st century when digital formats supplanted the use of film in many applications. This has also led to the replacement of film projectors with digital projection. [12] Despite this, some filmmakers continue to opt for film stock as a medium of choice for aesthetic reasons.
After Kodak (USA) introduced Super-8 film, in 1965 EUMIG launched the movie camera "Viennette Super-8" and the projectors "Mark M Super-8" with threader and arrest projection and "Eumig Mark S Super-8" for Super-8 sound film. At the time, EUMIG was the only European manufacturer with a complete range of equipment for Super-8 film.
Its high flammability was legendary since it self-ignites when exposed to temperatures over 150 °C in front of a hot movie-projector beam. While celluloid film was standard for 35mm theatrical productions until around 1950, motion-picture film for amateur use, such as 16mm and 8mm film, were on acetate "safety base", at least in the US.
A movie projector (or film projector) is an opto-mechanical device for displaying motion picture film by projecting it onto a screen. Most of the optical and mechanical elements, except for the illumination and sound devices, are present in movie cameras. Modern movie projectors are specially built video projectors (see also digital cinema).