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The ABABCC rhyme-scheme is one of the most important forms in European poetry. It can be found in Thomas Campion 's and Emma Lazarus 's poetry. Juliusz Słowacki wrote his poem A Voyage to the Holy Land from Naples with the famous The Tomb of Agamemnon in ABABCC stanzas.
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
The later sixteenth-century poet Edmund Spenser wrote his Hymn of Heavenly Beauty using rhyme royal, but he also created his own Spenserian stanza, rhyming ABABBCBCC, partly by adapting rhyme royal. The Spenserian stanza varies from iambic pentameter in its final line, which is a line of iambic hexameter, or in other words an English alexandrine .
The third, "Farewell, O sun, Arcadia's clearest light", is the first rhyming sestina in English: it is in iambic pentameters and follows the standard end-word scheme, but rhymes ABABCC in the first stanza (the rhyme scheme necessarily changes in each subsequent stanza, a consequence of which is that the 6th stanza is in rhyming couplets ...
Consisting of three, six line stanzas of iambic tetrameter with occasional exceptions, "There is a Garden in Her Face" is a lyric poem beginning with an ABABCC rhyme scheme. With notable imagery all throughout the work, Campion's poem begins by providing readers with a template of a woman's face.
The first four lines are an alternating rhyme ABAB, like in German folk songs. [3] This is followed by two lines of a third rhyme C, a couplet rhyme. The last line, as conclusion, is again the second rhyme B or does not rhyme X, an orphan. [4] Thus it consists of a quatrain and a tercet. The scheme is related to rhyme royal ABABBCC in English ...
Epithalamion follows a rhyme a scheme of ABABCC, DEDEFF, and so on (except the 15th stanza.). The structure is 24 stanzas, each with either 18 lines or 19 (15th stanza has 17 lines). The last stanza is an envoy(a short formal stanza which is appended to a poem by way of conclusion) with 7 lines. There are 433 lines in total.
The rhyme scheme is ABABCC. [40] [41] Shields sums up her writing as being "contemplative and reflective rather than brilliant and shimmering." [41] She repeated three primary elements: Christianity, classicism and hierophantic solar worship. [42]