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Digital cinematography captures motion pictures digitally in a process analogous to digital photography.While there is a clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film.
Digital imaging or digital image acquisition is the creation of a digital ... DIAR is used to create immersive gaming experiences and interactive movies. In education ...
Digital movies are projected using a digital video projector instead of a film projector, are shot using digital movie cameras or in animation transferred from a file and are edited using a non-linear editing system (NLE). The NLE is often a video editing application installed in one or more computers that may be networked to access the ...
Because of the relatively large size of the imaging area these media provide, they can record higher resolution images than most consumer digital cameras. Based upon the above pixel density, a medium-format film image can record an equivalent resolution of approximately 83 million pixels in the case of a 60 x 60 mm frame, to 125 million pixels ...
Silicon Imaging SI-2K: 2008 The first predominantly digitally photographed film to win the Academy Award for Best Cinematography. Shot on multiple formats, including 35mm and digital stills. Rachel Getting Married: Declan Quinn: Sony CineAlta F23: 2008 You Don't Mess With The Zohan: Michael Barrett Panavision Genesis: 2008 Chemical Wedding ...
Digital imaging or digital image acquisition is the creation of digital images, typically from a physical object. The term is often assumed to imply or include the processing , compression , storage , printing , and display of such images.
Cinematography (from Ancient Greek κίνημα (kínēma) 'movement' and γράφειν (gráphein) 'to write, draw, paint, etc.') is the art of motion picture (and more recently, electronic video camera) photography.
Today, most, though not all, compositing is achieved through digital image manipulation. Pre-digital compositing techniques, however, go back as far as the trick films of Georges Méliès in the late 19th century, and some are still in use. Splash of color: The term splash of color is the use of a colored item on an otherwise monochrome film ...