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Digital imaging or digital image acquisition is the creation of a digital ... DIAR is used to create immersive gaming experiences and interactive movies. In education ...
Typically, digital movies are shot using digital movie cameras or in animation transferred from a file and are edited using a non-linear editing system (NLE). The NLE is often a video editing application installed in one or more computers that may be networked to access the original footage from a remote server, share or gain access to ...
Digital loaders may be independent or work under a digital imaging technician. A data wrangler is another common term for the role of digital loader. [3] A digital loader supports the camera department by managing, transferring and securing all the digital data acquired on-set via any digital cinematography cameras, interacting with the 2nd AC.
Digital cinematography captures motion pictures digitally in a process analogous to digital photography.While there is a clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film.
2. The entire technology of sound recording and reproduction using audio signals that have been encoded in digital form. digital cinema digital cinematography The process of recording a motion picture using digital image sensors rather than physical film stock. Almost all modern films are both recorded and distributed digitally. digital compositing
Silicon Imaging SI-2K: The first predominantly digitally photographed film to win the Academy Award for Best Cinematography. Shot on multiple formats, including 35mm and digital stills. 2008 Rachel Getting Married: Declan Quinn: Sony CineAlta F23: 2008 You Don't Mess With The Zohan: Michael Barrett Panavision Genesis: 2008 Chemical Wedding ...
Because of the relatively large size of the imaging area these media provide, they can record higher resolution images than most consumer digital cameras. Based upon the above pixel density, a medium-format film image can record an equivalent resolution of approximately 83 million pixels in the case of a 60 x 60 mm frame, to 125 million pixels ...
Independent movie-makers have also pressed low-cost consumer and hybrid prosumer cameras into service for digital cinematography. Though image quality is typically much lower than what can be produced with professional digital cinematography cameras, the technology has steadily improved, most significantly in the last several years with the arrival of high-definition cameras in this market.