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A book published by an unknown author in 1919 in Manila entitled Buhay na Pinagdaanan ni Juan Tamad na Anac ni Fabio at ni Sofia sa Caharian nang Portugal [2] (Tagalog for "The Life Lived by Juan Tamad, Son of Fabio and Sofia, in the Kingdom of Portugal") contains a poem consisting of 78 pages of four-line stanzas at seven stanzas per page.
Philippine folk literature refers to the traditional oral literature of the Filipino people.Thus, the scope of the field covers the ancient folk literature of the Philippines' various ethnic groups, as well as various pieces of folklore that have evolved since the Philippines became a single ethno-political unit.
Beyond the Blue is an album by The Duhks, released June 24, 2014.The album centers on eclectic folk music, including Cajun ("Lazy John"), Klezmer ("You Go East, I'll Go West"), Malian worldbeat ("Je pense à toi"), country ("Suffer No Fools"), gospel ("Just One Step Away"), and protest song elements ("Black Mountain Lullaby").
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José Zabala-Santos (sometimes spelled as Jose Zabala Santos [2]) (20 July 1911 – September 7, 1985), [1] nicknamed as "Mang Pepe" ("Mister Pepe" in the Tagalog language [3]) by hometown neighbors [1] and as "Zabala" by colleagues in the cartooning profession, [2] [1] was a successful cartoonist in the Philippines [2] and was one of the pioneers of Philippine comics. [4]
Although a moderate and no-nonsense woman, the singer rekindled her passion for music during his stay. She had to let go of it after her lazy brother killed himself and her father was crippled with debts. She then proceeds to go to the garden lodge and plays a piece of opera that she played with the tenor the previous summer. However, after a ...
A lazy woman did not like to spin and when she did, did not wind onto a reel, but left it on the bobbin. Her husband complained, and she said she needed a reel to do that, but when he went to cut one, she sneaked after and called out that whoever cut a reel would die. This put him off cutting it, but he still complained.
An official sample of a Philippine passport with "Maria dela Cruz" as the fictitious placeholder owner of the document. Activists often portray Juan dela Cruz as a victim of American imperialism, especially since many editorial cartoons of the American period often depicted him alongside Uncle Sam either as a "Little Brown Brother" or as an Asian Partner.