Ad
related to: smooth jazz youtube for classroom work
Search results
Results From The WOW.Com Content Network
The mid- to late-1970s included songs "Breezin'" as performed by another smooth jazz pioneer, guitarist George Benson in 1976, the instrumental composition "Feels So Good" by flugelhorn player Chuck Mangione, in 1978, "What You Won't Do for Love" by Bobby Caldwell along with his debut album was released the same year, jazz fusion group Spyro Gyra's instrumental "Morning Dance", released in ...
No. Initial peak entry Artist(s) Title Weeks Ref. 2019; 217 December 14 Kayla Waters "Full Bloom" 6 [1]2020; 218 January 25 Lisa Addeo "Listen to This"
2021 Issue date Song Artist(s) Ref. January 2 "Better Days Ahead" Gerald Albright [1]January 9 [2]January 16 [3]January 23 "Blue Moon" Skinny Hightower
Smooth jazz is generally described as a genre of music that utilizes instruments (and, at times, improvisation) traditionally associated with jazz and stylistic influences drawn from, among other sources, funk, popular and R&B. Since the late 1980s, it has become highly successful as a radio format.
Grover Washington Jr. (December 12, 1943 – December 17, 1999) [1] [2] was an American jazz-funk and soul-jazz saxophonist and Grammy Award winner. Along with Wes Montgomery and George Benson, he is considered by many to be one of the founders and legends of the smooth jazz genre. [3] He wrote some of his material and later became an arranger ...
In Aaron J. West's introduction to his analysis of smooth jazz, "Caught Between Jazz and Pop" he states, "I challenge the prevalent marginalization and malignment of smooth jazz in the standard jazz narrative. Furthermore, I question the assumption that smooth jazz is an unfortunate and unwelcomed evolutionary outcome of the jazz-fusion era.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Furthermore, I question the assumption that smooth jazz is an unfortunate and unwelcomed evolutionary outcome of the jazz-fusion era. Instead, I argue that smooth jazz is a long-lived musical style that merits multi-disciplinary analyses of its origins, critical dialogues, performance practice, and reception. [205]