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Daniel is episodic rather than linear: it has no plot as such. It does, however, have a structure. Chapters 2–7 form a chiasm, a literary figure in which elements mirror each other: chapter 2 is the counterpart of chapter 7, chapter 3 of chapter 6, and chapter 4 of chapter 5, with the second member of each pair advancing the first in some way.
Daniel 7:1-8 (Authorized Version 1611) When Daniel looked at the horns, another little horn came up after three of the first horns had been plucked up. The Papacy arose at this time and was given status as a temporal (King/Bishop) by Charlemagne, and held political and spiritual power until the French Revolution. [43]
Clarke viewed Daniel 8 as a separate vision from Daniel 7. In his 1831 commentary on Daniel 8:14, he states that the 2,300-year period should be calculated from 334 BC, the year Alexander the Great began his conquest of the Persian Empire. His calculation ends in the year 1966, where he links to Daniel 7:25. [31]
The seventy weeks prophecy is internally dated to "the first year of Darius son of Ahasuerus, by birth a Mede" (Daniel 9:1), [34] later referred to in the Book of Daniel as "Darius the Mede" (e.g. Daniel 11:1); [35] however, no such ruler is known to history and the widespread consensus among critical scholars is that he is a literary fiction. [36]
It is widely accepted that Mark was the primary source used by the authors of the Gospel of Matthew and of Luke for their parallel passages, [4] with Matthew 24:15–16 [5] adding a reference to Daniel [6] and Luke 21:20–21 [7] giving a description of the Roman armies ("But when you see Jerusalem surrounded by armies..."); in all three it is ...
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Daniel 11:36-37 [22] speaks of a self exalting king, considered by some to be the Antichrist. [23] Antiochus Epiphanes attempted to replace worship of Yahweh with veneration of himself, and was referred to in the Daniel 8:23-25 prophecy. [24] His command to worship false gods and desecration of the temple was seen by Jerome as prefiguring the ...
Daniel 4 is a legend set in the royal court, like the other tales of chapters 1–6. [13] The theme is the relationship between heavenly and earthly power: the king's power on earth is not denied, but it is subordinate to the power of God. [ 3 ]