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"Sunflower" [a] is a song by American rappers Post Malone and Swae Lee. It was released on October 18, 2018, as a single from the soundtrack to the 2018 animated film Spider-Man: Into the Spider-Verse , [ 4 ] and was later included on Post Malone's third studio album Hollywood's Bleeding (2019). [ 5 ]
"Sunflower" is a song written by Neil Diamond and recorded by American country music singer Glen Campbell. It was released in June 1977 as the second single from Campbell's 1977 album, Southern Nights .
Pages for logged out editors learn more. Contributions; Talk; Sunflower (Post Malone song)
"Sunflower" is a song by American indie pop band Vampire Weekend featuring singer and guitarist Steve Lacy. It was the second single from their fourth studio album Father of the Bride , and was released on March 6, 2019 by Columbia Records as a double A-side with " Big Blue ". [ 1 ]
I Had Some Help" became the sixth song and the fastest to do so, to top both the US Country Airplay and all-format US Radio Songs charts. [15] The song debuted at number one on Billboard ' s Annual Songs of the Summer chart and was subsequently crowned as the 2024 Song of the Summer at the end of the tracking period. [19] [14] [15]
The song features a string quartet sample in the key of A minor overlaid with synths and a trap beat with a tempo of 90 beats per minute. [1] [2] The string quartet sample was done by Peter Lee Johnson. In an interview, Metro Boomin talks about how he asked Johnson create some maximalist violins in the themes of 2010s era Kanye West. [3]
"Add Some Music to Your Day" is a song by American rock band the Beach Boys that was released in the US on February 23, 1970 [1] as the lead single from their album Sunflower. It was written by Brian Wilson, Joe Knott, and Mike Love. Wilson later said that Knott "was a friend of mine who wasn't a songwriter but he contributed a couple of lines.
In their review of Sunflower, a Rolling Stone critic mentioned that the song "could be Beach Boys-influenced anybody". [9] Reviewing the song for AllMusic , Matthew Greenwald wrote, "Taking his cues from 1930s-'40s musicals, this lighthearted pop gem is a great example of Bruce Johnston's musical style and fine overall pop sensibility."