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The style of dance is commonly known to modern scholars as the French noble style or belle danse (French, literally "beautiful dance"), however it is often referred to casually as baroque dance in spite of the existence of other theatrical and social dance styles during the baroque era.
Beauchamp–Feuillet notation is a system of dance notation used in Baroque dance.. First eight bars of a dance recorded and published by Feuillet in 1700. The roles of the two dancers, the tract they were to follow, and the steps to perform are shown, with the melody for these steps shown above.
Opéra-ballet (French: [ɔ.pe.ʁa.ba.lɛ]; plural: opéras-ballets) [1] is a genre of French Baroque lyric theatre that was most popular during the 18th century, [2] combining elements of opera and ballet, [3] "that grew out of the ballets à entrées of the early seventeenth century". [4]
The doctrine of the affections, also known as the doctrine of affects, doctrine of the passions, theory of the affects, or by the German term Affektenlehre (after the German Affekt; plural Affekte) was a theory in the aesthetics of painting, music, and theatre, widely used in the Baroque era (1600–1750).
Dance theory is based on these founding principles, that is the sphere and lines of the body, to derive, show and demonstrate how dance is done. This is achieved by showing which movements to do by and at what speed. It is hypothetically possible to draw and work out a dance by using sphere lines and arrows. Many dance books state how this is done.
The Baroque period was a golden age for theatre in France and Spain; playwrights included Corneille, Racine and Molière in France; and Lope de Vega and Pedro Calderón de la Barca in Spain. During the Baroque period, the art and style of the theatre evolved rapidly, alongside the development of opera and of ballet.
Body culture studies describe and compare bodily practice in the larger context of culture and society, i.e. in the tradition of anthropology, history and sociology.As body culture studies analyse culture and society in terms of human bodily practices, they are sometimes viewed as a form of materialist phenomenology.
Allemande, from a dancing manual of c. 1769. An allemande (allemanda, almain(e), or alman(d), French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach and Handel.