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1928 Gibson L-1 Kalamazoo KG-14. Robert Johnson played various guitars, produced in the 1920s and 1930s. The guitar he is holding in the studio portrait, where he's dressed in a suit, is a Gibson Guitar Corporation model L-1 flat top, which was a small body acoustic produced between 1926 and 1937.
[citation needed] Johnson composed two songs to this melody, "Ramblin' on My Mind" and "When You Got a Good Friend", with different musical approaches and different guitar tunings. For "Ramblin' on My Mind" he used an open tuning that allowed him to combine a boogie shuffle on the bass strings with bottleneck triplets on the treble strings. [2]
The song also features Johnson's use of a repeating guitar figure consisting of fast high-note triplets. [6] This riff came to define the song, [17] although Johnson also used it in several other of his songs, including a slide version for "Ramblin' on My Mind". [18] To facilitate his fingerpicking style, Johnson used an open guitar tuning.
Originally recorded on 7-String Guitars tuned down, the band switched to 8-String Guitars shortly after the album was released. The band play the song live a full step up from the original in F Standard Tuning on 8-String Guitars. D tuning – D'-G'-C-F-A ♯-d-g / D'-G'-C-F-B ♭-d-g Four and one half steps down from standard.
Johnson composed two songs to this melody - "Ramblin' On My Mind" and "When You Got A Good Friend" - with different musical approaches and different guitar tunings, although both were in the key of E. [2] Eric Clapton recorded the song for the 2004 album Me and Mr. Johnson.
Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues musician and songwriter. His singing, guitar playing and songwriting on his landmark 1936 and 1937 recordings have influenced later generations of musicians.
Guitar tunings are the assignment of pitches to the open strings of guitars, ... of King Crimson's Robert Fripp, ... Johnson, Chad (2002). Alternate tuning chord ...
Clapton does not adapt Johnson's slide guitar technique or open tuning; instead he follows the electric guitar soloing approach of B.B. King and Albert King. [81] He also employs a Johnson guitar innovation, the duple shuffle pattern or boogie bass line, while singing (Johnson only used it for two bars in "Cross Road Blues"). [81] [f]