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Hail Satan? is a 2019 American documentary film about the origins of The Satanic Temple, including the group's grassroots political activism. [3] Directed by Penny Lane , the film premiered at the 2019 Sundance Film Festival , and was released in the United States on April 19, distributed by Magnolia Pictures .
Some of those who believe in backmasking, along with some Christian fundamentalists, believe messages such as "Hail Satan" may subliminally inspire people to do evil, [32] a view which may have received some reinforcement when the phrase was used as part of the vandalizing of churches, [33] but its use then might have been the expression of a general anti-religious sentiment, as suggested by ...
The Latinized title translates to "Hail Satan" in English. In an interview, [ 4 ] Goldsmith says that his idea was to create a kind of Satanic version of a Gregorian chant and came up with ideas while talking with the London choir-master of the orchestra who was helping him.
Hail! Hail! Rock 'n' Roll: 1987: Taylor Hackford: Hail Satan? 2019: Penny Lane: Gabriel Sedgwick Hal: 2018: Amy Scott: Christine Beebe, Lisa Janssen, Jonathan Lynch, Brian Morrow Half the Picture: 2018: Amy Adrion: Amy Adrion, Jude Harris Hamilius: Hip Hop Culture in Luxembourg: 2010: Alain Tshinza: Raoul Nadalet Hands on a Hard Body: The ...
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Angels' Wild Women (originally titled Screaming Angels) is a 1972 biker film written and directed by cult director Al Adamson. [1] [2] Preceded by Satan's Sadists (1969) and Hell's Bloody Devils (1970), it is the last in a trio of (unrelated) motorcycle gang films directed by Adamson for Independent-International Pictures Corp., a company he co-founded with Sam Sherman.
Satan Returns; Satan Wants You; Satan's Baby Doll; Satan's Children; Satan's Playground; Satan's School for Girls (1973 film) Satan's Slave (1976 film) Satan's Slaves; Satan's Slaves 2: Communion; Satanic Panic (film) The Satanic Rites of Dracula; Satanis; The Scary of Sixty-First; Seklusyon; The Seventh Victim; Sheitan (film) Simon, King of ...
On the review aggregator website Rotten Tomatoes, 71% of 10 critics' reviews are positive, with an average rating of 6.4/10. [4]The Age's critic Philippa Hawker described the film as "singular and striking", noting it "has an extreme sense of documentary fidelity but it is intercut with a kind of hallucinatory, over-reaching, vivid excess: it's a fierce, sometimes harrowing combination of the ...