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"A Million Dreams" is a song performed by Ziv Zaifman, Hugh Jackman, and Michelle Williams for the film The Greatest Showman (2017). It is the second track from soundtrack of the film, The Greatest Showman: Original Motion Picture Soundtrack , released in the same year.
The song features a primary chord pattern of A2-B7-C ♯ m three times, followed by A-Bsus-E-A/E-E. [3] According to co-writer Phil Vassar, the idea came during a writing session with Scooter Carusoe when the latter presented the phrase "the sound of a million dreams". This phrase inspired the two to begin talking about songs that had been ...
Music in Twelve Parts transitional thirteenth chord.png 450 × 221; 15 KB Northern lights chord arrangement.mid 22 s; 7 KB Park Avenue Beat polychord.png 450 × 221; 20 KB
Four Chords That Made A Million doesn't have any relation to anything else on the album, or anything else I've ever written. It's just that." The tracks "Four Chords That Made a Million", "Where We Would Be" and "Russia on Ice" were premiered during the Stupid Dream tour in 1999, several months before Lightbulb Sun's release. [citation needed]
An earlier American Dream report, released in 2023, put the lifetime tab at only $3.4 million. But Silver cautions readers not to compare that report with the new one. Homeownership is a goal for ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
Ultimately, Chestnut continues to dazzle with A Million Colors in Your Mind, revealing ever more tantalizing musical layers". [ 3 ] In JazzTimes , Mike Joyce stated: "There’s nothing quite like the sound of pianist Cyrus Chestnut hammering his way through a five chord in a climactic turnaround, as if to underscore his abiding affection for ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...