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Milo was the son of the Leudwinus of Trier and Willigard of Bavaria. He was born a nobleman and later styled Count of Trier. [1] His brother was Wido (Gui), Count of Hornbach. [2] Rotrude of Hesbaye was possibly his sister. [1] Lambert of Maastricht was a kinsman. Milo received a monastic education.
The turn of the 19th century was the height of the old art glass movement while the factory glass blowers were being replaced by mechanical bottle blowing and continuous window glass. Great ateliers like Tiffany , Lalique , Daum , Gallé , the Corning schools in upper New York state, and Steuben Glass Works took glass art to new levels.
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Both art glass and studio glass originate in the 19th century, and the terms compare with studio pottery and art pottery, but in glass the term "studio glass" is mostly used for work made in the period beginning in the 1960s with a major revival in interest in artistic glassmaking. Pieces are often unique, or made in a small limited edition.
Factory glass is a term used by collectors of art glass to distinguish relevant items, mostly of decorative rather than utilitarian glass, from the more individual or unique studio glass and by studio glass artists to distinguish their work from the more standardised items which are generally made in larger glassworks. [1]
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