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"Blame It on the Bossa Nova" is a song written by Cynthia Weil (lyrics) and Barry Mann which was a 1963 hit single for Eydie Gormé, reaching number 7 on the Hot 100 in Billboard in March 1963. The song also peaked at number 32 in the UK, whereas " Yes, My Darling Daughter " became the biggest hit for Eydie there, reaching number 10.
Sitti collaborated with Club Myx to release Sitti in the Mix - The Dense Modesto Remixes, a collection of songs from Café Bossa that were made into dance-electronica songs with the help of DJ Dense Modesto, in mid-2007, before the release of her second album My Bossa Nova, which focuses on more recent songs. My Bossa Nova was re-released in ...
Manila sound (Filipino: Tunog ng Maynila) is a music genre in the Philippines that began in the mid-1970s [1] in Metro Manila.The genre flourished and peaked in the mid to late-1970s during the Philippine martial law era and has influenced most of the modern genres in the country by being the forerunner to OPM.
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Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.
Connie Francis released two non-English versions of the song in 1963: in Italian as "Portami Con Te " [20] and in Spanish as "Llévame a la Luna ". [21] Fly Me to the Moon Bossa Nova 1963 album by Joe Harnell. In 1962, Joe Harnell arranged and recorded an instrumental version in a bossa nova style. It was released as a single in late 1962.
Fotografia" (also known as "Photograph") is a bossa nova song written and composed in 1959 by Antônio Carlos Jobim. English lyrics were published in 1965 by Ray Gilbert. [1] "Fotografia" was one of Jobim's first compositions for which he wrote the words as well as the music. [2]
Jobim wrote the song in late 1966 while staying at the Sunset Marquis Hotel in Los Angeles, as he waited for Frank Sinatra to return from a holiday in Barbados so they could begin recording their album Francis Albert Sinatra & Antônio Carlos Jobim (1967). [1] The first recording of the song was an instrumental version by Jobim for his 1967 ...