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The piano is often used to provide harmonic accompaniment to a voice or other instrument.However, solo parts for the piano are common in many musical styles. These can take the form of a section in which the piano is heard more prominently than other instruments, or in which the piano may be played entirely unaccompanied.
Leçons d'Enfer music theatre for 2 actors, 3 singers, 7 instruments, tape, and live electronics; texts by Arthur Rimbaud and Michel Butor (1990–91) Madrigal I for clarinet (1958) Madrigal II for 4 early instruments (flute, violin, viola da gamba, harpsichord) (1961) Madrigal III for clarinet, violin, cello, 2 percussionists, and piano (1962)
A musician who plays any instrument with a keyboard. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on. Klangfarbenmelodie (Ger.)
Large sets of many individual character pieces, intended to be played as a single piece of music, were not uncommon; Schumann's many works of this form (including Kreisleriana and Carnaval) are the best known examples. In the late 19th and twentieth centuries, as piano music became ambitious and larger in scale, the scope of what a character ...
The term was first applied to music during the 16th century, at first to refer to the imaginative musical "idea" rather than to a particular compositional genre. Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France.
Kammermusik II Concerto for piano and twelve solo instruments, Op. 36/1 (1924) Concert Music for Piano, Brass and Two Harps, Op. 49 (1930) The Four Temperaments (1940) Piano Concerto (1945) Alun Hoddinott. Concerto for Piano, Winds and Percussion, Op. 19 (1961) Concerto No. 2, Op. 21 (1960) Concerto No. 3, Op. 44 (1966) Josef Hofmann
A classic example is the opening melodic statement of his Fünf Stücke für Orchester Op. 10 (1913) which requires the efforts of the flute, trumpet, celeste, harp, glockenspiel, viola, and clarinet often playing just one note each. In Webern's hocketization of Schoenberg's concept, timbres are often mixed but not combined.
Bill Evans performing at the Montreux Jazz Festival in 1978. Mastering the various chord voicings—simple to advanced—is the first building block of learning jazz piano. Jazz piano technique uses all the chords found in Western art music, such as major, minor, augmented, diminished, seventh, diminished seventh, sixth, minor seventh, major seventh, suspended fourth, and so